Consider the fact that Graphics are a lot like Music

And there are two types of practitioners:

Some acts have a support crew (and payroll) of dozens, pumping out slick and streamlined electronically-produced fluff, that fits into a insipid and over-saturated genre; employing visual effects to distract you from the actual message; catering for the masses; barely discernible from the next act; driven by sales and adulation, with no intellectual depth beyond the superficial; with barely any evidence of the actual craft of music on-show, in reality, doing not much for a lot of money.


THEN you have the very, very devoted driven few: found hard-at-it at 1am plying their craft with meaning and purpose to a smaller (but equally ardent) audience; raising a sweat on their brow and earning calluses from their strings - working around and within with the original roots and foundations of their art-form, and paying homage to their heroes; creating work that contains a natural, rounded human tone - and in the future, no-matter-what, they can artistically hold-their-heads-high.

Since 1999, Rockerfella Industries have been the design equivalent of the latter: What you get is poetry - but what you don't see is decades of dedication to an art-form - at 1am.

Screen Shot 2017-08-21 at 5.48.24 pm.png
Screen Shot 2018-08-20 at 11.55.52 am
Screen Shot 2020-05-06 at 3.45.02 pm
Screen Shot 2018-09-09 at 12.31.05 pm
03_Screen Shot 2016-09-05 at 12.40.09 pm.png
Screen Shot 2016-01-04 at 5.25.40 pm.png
Screen Shot 2018-05-17 at 5.57.45 pm

For a full low-down of who Rockerfella Industries / Simon Blazey  [and was] download a full Resumé here. I AM open to job-offers and secondments.

Previous secondments include: The Sydney Graphics College; Big Picture (Columbia Tristar/Universal Pictures); Perisher Ski Resort; Documenta; Harcus Design; Sydney College of the Arts; The Computer Graphics College; Whybin Lawrence TBWA; and Stöckl Signs.